Rhee Gold Inspiration: A Real Dancer
Certainly most of us appreciate strong technique and the dedication of dancers and teachers, because they set a new standard we all can strive to attain.
Yet when I see dancers with disabilities or a group of senior-citizens tappers- and of course that 3-year-old pretending to be a ballerina- I am reminded that anyone who touches the heart of an observer is a real dancer.
Rhee Gold
Rhee Gold Daily Inspiration: For me dance is life!
It’s a gift that becomes entrenched in the soul. Those of us who feel this way have trouble describing it to those who don’t, but I think of it like this: there’s a point when the movement and the music grab hold of you and fill you so completely that you become more than a body moving through space; you become art!
…Rhee Gold
Rhee Gold Daily Inspiration: More Than Teaching Dance…
She’s disheveled, hides in the back of the classroom because she feels different from the other kids.
Her leotard is always dirty, her bun is a mess, and she never smiles.
~As a dance teacher are you uncomfortable?
~Do you (deep down) wish that she would ‘drop’ because of your uncomfortableness?
A little investigation…
The child is raised by her elderly grandfather who is working full time bagging groceries to finance raising his granddaughter; including her dancing lessons.
His job lets him leave for 15 min. to pick her up from school and get her to dance. And he’s not good at laundry and making a bun is not his specialty either. But he’s trying really hard.
~Maybe next week you could make a bun for her and tell her how beautiful she looks?
~Maybe next week you could drop a leotard in her dance bag… she’ll never know who did that for her, but you will.
~ Maybe next week you can grab her by the hand and share a smile with her?
~ Maybe you are the person she needs in her life?
YOU ARE A DANCE TEACHER, YOU HELP CHANGE THE WORLD.
…Rhee Gold
Rhee Gold Daily Inspiration: What is great Dance?
So what is great dance and who created the meter by which we judge it?
Is the student who comes to class once a week, who has a passion that you can feel when she enters the room, at the same place on the meter as the girl who is there every day, taking every class, and has no passion but believes she is awesome?
Would the 6-year-old cancer patient who is in dance therapy, moving her arms over her head pretending to be a ballerina, land anywhere on the meter?
If a 62-year-old man who always wanted to tap dance finally gets himself a pair of tap shoes, along with the guts to walk into a class, will he feel the same sense of accomplishment as the ballet company soloist who is finally performaing the piece she only dreamed of a few years back?
I hear dance people say, “Oh, she’s fierce,” when they see a dancer execute some fabulous trick, while they pooh pooh the 62-year-old guy in tap shoes.
I’m thinking that it’s ALL great dance, but only those who know the ‘passion that dance is” really get it.
Rhee Gold
Pre-school Classes
Those preschool classes are your future. Give them (and their moms) experienced teachers who are passionate about the age group to create a future of consistent growth and positive word of mouth. Give them an inexperienced 16 year-old teacher and you will always wonder why your enrollment never increases. Just a thought . . . have a great day—Rhee Gold
Instill Passion
Make it your goal is to instill a passion for the art of dance in every child . . . what’s really cool about this objective is that the “passion” isn’t limited to those who can do five pirouettes, it’s something that once-a-week student can accomplish, too. That’s what teaching dance is all about! Have a great day–Rhee
Appropriate content
You are not only a dance teacher; you are a mentor and a leader. This means that you set the example for your students. Please think about what you post on your Facebook page . . . be sure that it is appropriate for your students (who look up to you) to see. Don’t tell them you got lucky last night or that you are going on a drinking binge this weekend. Have a great day–Rhee
Maybe you are the person she needs in her life?
She’s disheveled, hides in the back of the classroom because she feels different from the other kids. Her leotard is always dirty, her bun is a mess, and she never smiles.
-As a teacher are you uncomfortable?
-Do you (deep down) wish that she would “drop” because of that uncomfortableness?
A little investigation: The child is raised by her elderly grandfather who is working full time as a grocery bagger to finance raising his granddaughter; including her dancing lessons. His job lets him leave for 15 min. to pick her up from school and get her to dance. And he’s not good at laundry, and making a bun is not his specialty either. But he’s trying really hard.
-Maybe next week you could make a bun for her and tell her how beautiful she looks?
-Maybe next week you could drop a leotard in her dance bag . . . she’ll never know who did that for her, but you will.
-Maybe next week you can grab her by the hand and smile at her?
-Maybe you are the person she needs in her life?
You are a dance teacher, you help change the world . . . Rhee
Be Unique
MISTAKE: Look at someone’s business model and copy it. That other person has a certain personality, life experiences, influences, mentors, education, etc. and that’s all part of their recipe for success. You can’t make that your own, it can’t be done. However, if you base your business model on who YOU are, what you have to offer, and what makes you UNIQUE from the others, I’ll bet you’ll achieve the success you seek.
Have a great day–Rhee
Marketing Your School
Let’s say that you are marketing your school or your classes . . . if within that marketing you throw in a snide remark about the competitor(s), you have added negativity to your own advertising that will hinder your success. It is best to market by informing the world about what you do best, and forget about jabbing the competition. You are too confident in yourself and your own success for that. Have a great day—Rhee
2 Piece Costume?
She’s 12 years old, loves to dance and feels confident because she’s pretty good at it. Teacher makes the choice to put the girl’s class in a 2-piece costume . . . girl is too big for a 2-piece costume. She begins to lose her confidence. When she hits the stage she becomes totally inhibited. 12 year old girl who loves to dance quits and has a little less confidence compared to when she started dance. Is this scenario playing out in your school? Just a thought, have a great day–Rhee
Great Choreography
TEACHERS: Great choreography isn’t about emulating the latest trend or the award you may win. Greatness is present in the choreographer who has the ability to make every dancer look good (and feel confident) regardless of the skill level of the students. You accomplish this by creating works in which the audience can’t tell the difference between the strongest and the “not as strong” students because of your genius choreography. Have a great day–Rhee
DanceLifeTV.com Male Voices Episode #3, Tights and More
In the first two episodes of Male Voices, we hit the tough issues head on. In the next few you’ll discover the lighter side of life for male dancers and why they hang on to their dreams. Episode #3, “Tights and More,” offers an unprecedented look into the guys’ thoughts and opinions on everything from what it was like to wear that first pair of tights to the differences between male and female dancers.
See more episodes of Male Voices at www.dancelifetv.com
DanceLifeTV.com Male Voices Episode #2, Acceptance
In episode #1 of Male Voices, we discovered that many young male dancers need strength, determination, and a good support system in order to build the confidence needed to overcome the stereotypes imposed on them by our society. Within that support system, fathers play a key role. Episode #2, titled ‘Acceptance,’ offers a fascinating look at how important a dad’s role can be in the life of his dancing son. And you’ll gain some surprising insights into the struggles some fathers face when their sons choose dance over sports.
See more of the Male Voices 6 part documentary series at www.dancelifetv.com
DanceLifeTV.com Male Voices Episode #1, Confessions
Rhee Gold, producer of DanceLifeTV.com, announces a new six-part documentary series titled Male Voices, featuring the boys of The Gold School. Filming over a three-month period, Gold and his crew followed nine male dancers ages 13 to 18 through performances and classes and spent hours listening to their stories.
“I’ve always felt that the world needs a better understanding of what life can be like for teenage boys who dance,” Gold says. “This series is a journey from the tribulations these guys feel when they start out to the euphoria they experience now when they dance. And it’s so real.”
In the first episode, viewers meet the boys and discover what led them to dance. The glimpse into their reality begins with compelling discussions about bullying and teasing, how they coped with such negative behavior, and why they ended up stronger because of it. The series continues with hot topics like how the boys’ fathers feel about their sons’ dancing and the boys’ opinions on the differences between male and female dancers. From their memories about putting on that first pair of tights to thoughts on what it’s like to partner a girl, these boys offer viewers intriguing insights into their world.
For more information, contact Rhee Gold at rhee@rheegold.com.
See more of the Male Voices 6 part documentary series at www.dancelifetv.com
New Television Series is Looking for Dance School Owners
New Television Series is Looking for Dance School Owners CASTING: Major television production company is now casting teachers and choreographers with over-the-top personalities running their own dance studio. You must be experienced and be able to instruct in various styles of dance. Individuals and family owned dance studios welcome. We are looking for both males and females. This project is in development for a major cable network. To be considered, please send the following:
• A face and body picture
• Your full contact information
• Any video links that showcase your personality
• Send info to. zguy2112@gmail.com
January 8, Project Motivate Phoenix Area
Rhee Gold’s PROJECT MOTIVATE is coming to our Chapter!!!
Rhee is bringing his amazing, powerful, and motivating seminar to Arizona!
Saturday, January 8, 2011
Time: 3-9 pm
Place: Spisak Dance Academy
5255 West Phelps Road Suite 2
Glendale, AZ 85388
Dinner will be provided (Lisa!).
NON Members’ fee: $99 includes dinner
Contact; April Nelson
DMAARIZONA36@aol.com
Danspirations: Dance is Your Guiding Light with Rhee Gold
Are you sometimes filled with self-doubt, afraid of failing or never reaching your dreams? Stop right there and take a look at how far you’ve come. This episode of “Danspirations” will help you set aside your fears and understand the importance of knowing your own strengths. It will remind you that you had the confidence to get where you are—which means you’ve got what it takes to keep going—and that your passion for dance is your guiding light, helping you do everything in your power to give kids the best dance education possible. Watch this, and get inspired all over again!
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Thinking Out Loud: Dance Competition in Perspective w/Rennie Gold
“Thinking Out Loud” is the name of a new series of episodes from DanceLifeTV.com. Like the Dance Studio Life department of the same name, it will explore the varied perspectives of selected people in the dance world. In this pilot episode, Rennie Gold shares his views on the pros and cons of the dance competition experience. With a history of growing up participating in competition and now participating with his own dancers, Gold offers throught-provoking views on having the right mind-set when it comes to the competition experience.
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Dance Teachers: Who We Are
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| Check out info on the 2011 DanceLife Teacher Conference |
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DLTV Asks, What is Dance? One Question, So Many Answers
As DanceLifeTV.com travels the country, we always ask the tough question: “What is dance?” It’s not a trick question, but it’s a tough one—never do we get the same answer. In this episode a jam-packed cast of dance movers and shakers, including Patricia Dickinson, Bill Evans, Claudia Folts, Ann Kollegger, Sue Lobrano, Kimberly Lyon, Sandra Simpson Philpott, Bill Prudich, Gina Starbuck, Sonya Tayeh, Michael Williams, and Susan Quinn Williams tackle the answer with some very inspiring responses.
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Bruce Marks Joins DanceLife Teacher Conference Faculty
Rhee Gold is excited to welcome Bruce Marks, a former principal dancer with American Ballet Theatre and the Royal Danish Ballet who went on to lead Boston Ballet, to the faculty of the DanceLife Teacher Conference.
“We strive to bring the most respected dance educators available to those who attend the DanceLife Teacher Conference,” Gold says, “and Bruce Marks certainly fills that bill!”
Marks will be teaching ballet technique and variations and will take part in panel discussions at the conference, from July 30 to August 2 at the Phoenician Resort in Scottsdale, Arizona.
The conference features motivational and business seminars, along with special classes for teachers in curriculum and teaching techniques. To learn more or to register, visit www.dancelifeteacherconference.com or call 888.i.dance.9 (508.285.6650).
About Bruce Marks
Bruce Marks, a native of New York City, was trained at the New York High School of Performing Arts, Brandeis University, and The Juilliard School. At 14, he began his performing career when he created the role of the young boy in Pearl Lang’s Rites. He continued his ballet training with Margaret Craske, Antony Tudor, and Mattlyn Gavers at the Metropolitan Opera School and joined the company’s corps de ballet in 1956, becoming premier danseur in 1958.
After appearing at the Spoleto Festival of Two Worlds in 1959, in a company organized by Herbert Ross and Nora Kaye, Marks joined American Ballet Theatre in 1961. He soon became one of the most respected and versatile of ABT’s male contingent, excelling in both modern and classical ballets. Shortly after his arrival, he was promoted to principal dancer. He created one of the two leading male roles in the American premiere of Harald Lander’s Études, as well as the leading role of Prince Siegfried in ABT’s first full-length production of Swan Lake. Marks was the first to be entrusted with the roles of José Limón when he danced The Moor’s Pavane and The Traitor for ABT.
During his ten years with ABT, Marks appeared as guest artist with the Royal Swedish Ballet (1963-64) and London Festival Ballet (1965). In 1971, he became the first American principal dancer of the Royal Danish Ballet. He remained with the company for five years, mastering the 19th-century works of August Bournonville.
Marks has partnered some of the world’s great ballerinas, including Natalia Makarova, Cynthia Gregory, Eva Evdokimova, Maria Tallchief, Lupe Serrano, Violette Verdy, Melissa Hayden, and Toni Lander, whom he married in 1966.
In 1976, Marks became co-artistic director of Ballet West at the invitation of founder Willam Christensen. Following Christensen’s retirement in 1978, he was named artistic director. The company flourished under Marks, who left his distinctive stamp with the addition to the repertory of works by Bournonville and George Balanchine, plus full-length 19th-century classics and modern dance.
In 1985 Marks and Toni Lander recreated and staged a “lost” 1855 Bournonville ballet, Abdallah. The production had its East Coast premiere at Washington’s Kennedy Center on May 1, 1985. The critics raved. “Abdallah is a triumph,” said the Boston Globe. The Wall Street Journal said, “That it communicates such broad meanings and does so, moreover, with such effortless charm, is the great achievement of Bruce Marks.” In 1986 Marks staged Abdallah for the Royal Danish Ballet, for which it was originally created.
In 1985, Marks assumed the position of artistic director of Boston Ballet. Under his dynamic leadership, the company achieved international acclaim, tripled its annual budget and attendance, and built a reputation for performing authentic versions of the classics and for encouraging daring modern works. In 1991, in Boston’s South End, the company opened a new facility that is one of the country’s leading centers for dance and dance education.
Among the many highlights of Marks’ time in Boston were an unprecedented American/Soviet production of Swan Lake, a 1991 five-city tour of Spain, and a highly acclaimed version of The Sleeping Beauty in 1993 to kick off its 30th season. Marks also brought to the repertory the oldest existing version of Coppélia from The Royal Danish Ballet and a traditional Russian production of Giselle, staged by Anna-Marie Holmes and coached by the legendary Natalia Dudinskaya of the Kirov Ballet.
The encouragement of American choreographers was one of Marks’ major efforts as director. He commissioned works by Danny Buraczeski, Merce Cunningham, Bill T. Jones, Ralph Lemon, Monica Levy, Susan Marshall, Bebe Miller, Mark Morris, Twyla Tharp, and Lila York.
In July of 1997 Marks stepped down from his post at Boston Ballet and became artistic director emeritus.
Marks was a founding member of Dance/USA, a national service organization that represents professional dance companies. From 1990-92, he was chairman of that organization. In 1989, Marks was chosen to succeed the late Robert Joffrey as chairman of the International Jury of the USA International Ballet Competition held in Jackson, Mississippi, a position he still holds. He has served as the American judge at the international competitions in Helsinki, Nagoya, Moscow, and Seoul and was the American judge at the 1994 Prix de Lausanne.
Until 1985, Marks was board chairman of the American Arts Alliance. He has been an Artist Fellow of the Aspen Institute and a member of the Inter-Arts Panel of the National Endowment for the Arts. Marks has been a member and chairman of the NEA Dance Panel and was a member of the NEA’s International Advisory Panel.
Marks has been a pioneer in innovative dance education and outreach programs, including Boston Ballet’s Citydance program. This tuition-free ballet training program reaches nearly 3,000 third-graders each year in Boston’s public schools.
Marks is a recipient of the 1995 Capezio Dance Award for achievement in dance and contributions toward public awareness of dance in America. He received the 1997 Dance Magazine Award. He was awarded the Dance/USA honors in 1998. He holds honorary doctoral degrees from Northeastern University, Franklin Pierce College, the University of Massachusetts, Wheaton College, Juilliard, and Boston Conservatory.
In 1998 Marks created ArtsVenture, Inc., a consulting firm dedicated to passing along his accumulated knowledge and insights as a consultant to ballet and modern dance companies in America and throughout the world. He has also created a landmark program for the training of artistic directors.
Marks is currently at work on an autobiography. He has three children by his late wife, Toni Lander—Erik, Adam and Kenneth—and lives in Boston, Florida, and New York City with his partner, the American artist Paolo Fiumedoro.
Rhee’s Blog | Conference Updates
Lots of new info on the 2011 DanceLife Teacher Conference, including faculty booked to date and and curriculum planned to date. Looking forward to seeing many of you in Scottsdale July 30-August 2 2011!
Check it out . . . http://www.dancestudiolife.com/dltc/faculty-curriculum/
Project Motivate Memories 2011
Project Motivate: The Studio Edition was a hit with more than 60 attendees from fifteen states and Canada. The intimate atmosphere of the Gold School was filled with inspiration and passion with business sessions, motivational talks, class and choreography demonstrations, performances and more.
A big thank you to all the teachers who attended as well as Kathy Kozul, and Rennie Gold for helping to make this event such a success.
Look for more Project Motivate events coming in the future.
Be sure to check out the 2011 DanceLife Teacher Conference at the Phoenician Resort in Scottsdale, AZ, July 30-August 2. Registration is limited, book early to insure attendance. The conference is open to teachers, school owners, studio managers and significant others and it only happens once every two-years!
Click any of the pics for a larger view . . . enjoy!
Breaking News | IBC Winners Announced
DanceLifeTV.com is at the USA International Ballet Competition in Jackson, MS. Just attended a press conference announcing the 2010 winners. More updates coming later.
Men’s Gold
No Medal Awarded
Woman’s Gold
Cao Shuci (Peoples Republic of China)
Men’s Silver
Kosuke Okumura (Japan)
Woman’s Silver
Candice Adea (Philippines)
Men’s Bronze (Tie)
Kyohei Yoshida (Japan)
Zhang Xi (Peoples Republic of China)
Woman’s Bronze
Maki Onuki (Japan)
JUNIOR DIVISION
Men’s Gold
Marcelino Sambe’ (Portugal)
Woman’s Gold
Ji Young Chae (South Korea)
Men’s Silver
Ki-Min Kim (South Korea)
Woman’s Silver (TIE)
Fumi Kaneko (Japan)
Alys Shee (Canada)
Junior Bronze Men
Derek Dunn (USA)
Woman’s Bronze
Mariana Layu’n (Mexico)
Danspirations: The Art of Choreography with Rennie Gold
In this episode of Danspirations from DanceLifeTV.com, Rennie Gold, director of The Gold School in Brockton, Massachusetts, shares his thoughts on choreography. You’ll discover who inspires him and he’ll share some of his choreography tips for both the advanced and recreational dancer. For Gold, choreography isn’t about putting steps together, but about creating a work of art.
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No Gossip, Better World
We all share our passion in different ways; that’s what makes the dance community so cool. To judge or to gossip about other dance people is unbecoming of those who claim to know the passion. Life is short; no time for gossip . . . spend that time focused in on what you want to accomplish in your own life and the dance world is a better place. Guaranteed! Have a great day–Rhee




































