Savvy studio owners know how to make the dance competitive team experience at their school a winning program for everyone involved—students, parents, faculty, and, of course, themselves.
Now that the hectic registration rush is done and kids are settled in their classes, many teachers turn their attention to competition season—and Dance Studio Life is here to help.
Ready, set, high gold! You’ve picked out the music and the moves for your competitive team, and now the Rhee Gold Company is ready with all the strategies, enthusiasm, and advice you need to make sure your competition season is a winning one.
COLUMNS Ask Rhee Gold Advice for Dance Teachers 2 Tips for Ballet Teachers by Mignon Furman 2Tips for Hip Hop Teachers by Geo Hubela 2Tips for Modern Teachers by Bill Evans 2 Tips for Tap Teachers by Stacy Eastman A Better You | Fighting Fatigue by Suzanne Martin, PT, DPT . . .
Plans are in the works to bring a new dance competition to the Jackson, Mississippi, area next summer, reported the Clarion Ledger.
It’s happened to you, right? One day, when your head is full of choreography, itineraries, costume adjustments, and competition schedules, a student comes up to you with a look on her face that says you’re not going to like what she’s going to tell you. And you’re right. She cannot make the next two rehearsals, she says. Nine days before the competition.
At the end of a four-day competition, my fellow teachers and I were frustrated with our students’ performances and the competition results. These kids were the nicest in town, but quite honestly, they were rather boring onstage. They were beautiful dancers but not strong performers.
What do dance competition directors think about solos, video streaming, late nights, runaway scoring, and rising costs? Dance Studio Life got the inside scoop from more than 20 directors.
When I started my competition team 15 years ago, I discovered that it was like starting another business, with huge demands on my time and energy.
World of Clogging will hold clogging and dance workshops, along with CCA qualifying competitions, over Memorial Day weekend, May 25 to 27, at Crowne Plaza Cincinnati North, Cincinnati, Ohio.
Eager dance competition fans are getting the first peek at the poster for the upcoming documentary First Position, which chronicles six young dancers’ trials and tribulations in the Youth America Grand Prix, the prestigious annual ballet competition that draws contestants from all over the world.
Returning for its third year, Dancin’ Downtown at The Joyce Theater, is a competition that provides dance students the opportunity to be seen by a diverse and distinguished group of dance luminaries on one of the most prestigious dance stages in New York City.
Three students from Kennedy Dance Theatre in Webster, Texas, will be competing in the semifinals of the Youth America Grand Prix set for February 3 to 5 in Dallas—the first time students from the studio have entered the prestigious competition.
The producers behind the Lifetime reality TV show Dance Moms have been banned from one of the biggest children’s dance competitions in the country after event organizers complained about the way the event was portrayed on the show last year, according to TMZ.
Ohio Dance Masters will hold its performing arts competition and workshop November 18 to 20 at the Crowne Plaza Hotel, Dayton, Ohio.
Ovation, a television network devoted to arts culture, has just announced a national dance competition, “One Dance One Chance” where dance studios or ensembles have a chance to win a $10,000 scholarship and get national television exposure.
I’m a dance mom. In some circles, that’s a pretty ugly title, like “ax murderer” or “crazy cat lady.” But it’s true, and since they say admitting your weakness is the first step to a new you, there it is.
At the first-ever Boston International Ballet Competition, held May 12 to 16, dancers tackled classical variations with grace, beauty, and technical prowess, hitting gigantic double tours and spot-on fouetté combinations.
Lost reservations. Not enough rooms booked. Scheduling conflicts. Broken-down buses. Whiny, bored kids. Was your last trip with your dancers so stressful that you’re threatening to say the heck with going to competitions or other performance opportunities?
The Youth Dance Festival of New Jersey, hosted by Kozlov Dance International, will run its seventh edition of the festival and dance competition October 8 and 9 at the Russ Berrie Center for the Performing Arts of Ramapo College in Mahwah, N.J.
Chicago Human Rhythm Project is now accepting submissions from choreographers and videographers for its annual Virtual Rhythms “Tapography” competition.
Joseph Gorak, a member of American Ballet Theatre’s corps de ballet, was named best male dancer at the Ninth International Competition for the Erik Bruhn Prize, held in Toronto on March 5.
Last week the space next door to my school became available for rent and the landlord offered me a very reasonable rate. The location would be perfect for a dancewear store.
I have a hip-hop teacher who has become a huge asset to the school. He has created a hip-hop team that performs throughout the area, and he’s a good teacher who takes his responsibility seriously and is always trying to do the right thing for the kids.
Idaho Dance Theatre’s gala, “Dancing Through the Decades,” a night of ’60s and ’70s music and dancing, will be held February 26.
BET Networks has announced a nationwide casting call for female dancers for a new dance competition show with choreographer Laurieann Gibson, who has worked with Lady Gaga, Katy Perry, Alicia Keys, and other artists.
Competitions for schools of every size, taste, and budget
Dance Hawaii Expo, a performance and competition trip with an optional clogging competition, has been set for July 13 to 23, 2011.
Hi Rhee, I am toying with the idea of making my teachers part-time employees versus independent contractors. A neighboring studio owner contacted me about a teacher of hers whom she pays as a contractor (1099 income) threatening to report her to the Labor Department about her payment practices. How should we proceed?
At a Dance Masters of America competition last March, the students of The Gold School got a standing ovation, and it wasn’t just for their technique. It was because of their artistry. Seven years ago, when Rennie Gold, director of the Brockton, Massachusetts, school, decided to scale back from the competition scene and showcase his students through a series of benefit concerts, his goal was to create artists through dance.
You hear it all the time, from studio owners and competition directors: competing isn’t about winning; it’s about the experience. About learning, teamwork, developing stage presence, testing your limits, finding out whether you’re a minnow or a giant koi in the big pond of the competition arena. All good stuff.
What if you could stage a mock competition—with tech and costumes, but without the pressure or the public—before your students moved on to the real thing?
If the thought of the upcoming competition season makes your stress level skyrocket, I have one word for you: prepare. Know what you want and how to achieve it. With careful planning, good communication, realistic goal setting, a professional attitude, and a firm grip on your standards, you can make your school a winner at every competition. And no, I’m not talking about trophies, awards, and medals.
Dance Studio Life asked dance competition directors across the United States to share what’s on their minds. Their responses to our questions (some did not answer all questions) appear in alphabetical order by company name (sometimes abbreviated). We thank them all for their participation:
Jacqueline Stewart, a Chicago-based dancer and choreographer, has won a $10,000 cash award to use toward the creation of a new dance work.
Bruce Marks is one of the world’s most respected ballet masters. DanceLifeTV.com caught up with him at the USA International Ballet Competition in Jackson, Mississippi, where he served as the jury chairman. Hear his inspiring words on what dance means to him, the evolution of dance technique, and his thought-provoking comments on the competition experience in the ballet world. You’ll be inspired by a true master of the ballet world—guaranteed.
Thirty-four dancers will go on to the third round of competition to compete for gold, silver, and bronze medals at the 2010 USA International Ballet Competition in Jackson, Mississippi.
The owners and president of Daza Dance Ballroom Academy in north suburban Atlanta are the new owners of the Hotlanta Dance Challenge competition.
Access Dallas will present the World of Dance Tour, which combines an urban contemporary dance competition with cutting-edge street fashion, on April 24 at the Palladium Ballroom in Dallas, Texas.
The moment you sit at a judges table, it is your responsibility to have absolutely no prejudices about a school, teacher or a certain style of dance. A judge is there to adjudicate what is being presented on that stage, at that moment in time, with a focus on the technical skill of the dancers, their choreography, performance skills and all the other things that come into play when you put those numbers on paper. That’s it.
When I opened my school, my goal was to have my students compete, but I also wanted them to win. What can I do? —Marjorie
Some dance people on Facebook post that they are going to kick butt at a competition. I wonder if they are missing the point? Are they passing the “kick butt” mentality on to their students and parents who will be disappointed if they don’t end up kicking butt? Instead should we express how excited we are to see other …dancers do their thing? We need to understand that dance is a gift, not a tool to beat others?
Although I discourage using the word “lose,” it’s the best way to make my point. Some of the smartest and brightest people got that way from losing many of their battles. We learn from the losing process or by not getting what we want. It’s how we improve ourselves.
The U.S.A. International Ballet Competition in Jackson, Mississippi, is accepting applications for its 2010 dance school and teachers workshop.
The deadline for video auditions for the World Ballet Competition is February 15. The competition for dancers ages 10 to 22 . . .
Several weeks ago I hosted a national dance competition for some old friends. It had been five years since my last national competition experience, so I didn’t know what to expect. But as I sat in the host chair, I was pleasantly surprised. The caliber of talent and creativity was better than I expected, and I love to see young dancers with an obvious passion for our art. They were abundant at this event.
On a warm Friday evening in April, the packed audience at the 860-seat Skirball Center for the Performing Arts breathes as one. Together the viewers gasp as a petite dancer loses her balance at the end of an impressive variation; they burst into applause as the next dancer executes 16 perfectly placed fouettés; and they fall into respectful silence as yet another competitor’s number is announced. The crowd is a mixture of nervous fellow competitors, eager young dance students, attentive coaches, and proud parents, all gathered in lower Manhattan for the final rounds of the Youth America Grand Prix.
Most dance teachers would think twice before saying that the reason they send their students to competitions is to win, win, win! There’s no denying that coming home with an award in hand is a heady feeling, and there’s nothing wrong with that. But the real reason for competing, most would agree, is that it offers students—and teachers as well— one heck of a learning experience. Although the in-the-moment glow of being onstage has its own lessons, much of what can be learned at a competition comes in the form of words: valuable words of advice and constructive criticism offered by the event’s judges.
With the competition field growing every year, there must be some persuasive reasons why young dancers keep showing up at these events weekend after weekend. Who better to tell us why they compete than the students themselves? Dance Studio Life talked to six students who told us why they put their hearts and souls into the competition team, what they are learning, and the joys and sorrows of competing.
Owners of dance studios that participate in competitions know that to do well requires hard work, good choreography, and dedicated and talented dancers. So when you hear “And the first-place winner is . . .” and your studio’s name is called, you have reason to be excited and proud of your accomplishments. It’s likely that a lot of people participated in making that number first rate: the teachers who gave the students good technique, the studio owner who provided them with the opportunity to compete, the choreographer who shared his or her creativity with them—and of course the students themselves, who carried out the assignment effectively.