Bright Biz Ideas | The Future Is Now

There are countless intangible benefits to being a dance teacher, including being a mentor, having a positive influence on students, creating, expressing yourself through movement, and introducing children to the joy of dance. But there are practical issues to contend with when choosing this path—a traditionally low-paying one that offers few full-time, benefited opportunities—as a career.

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Photo Fun

A typical dance school year provides a feast of opportunities for images that you can use to convey the personality and professionalism of your school. And who’s better positioned to record them than yourself? Because you’re a familiar face, your young subjects may be less self-conscious than if they were being photographed by an outsider. Also, you’re there every day, which improves your chances of recording the kind of wonderful, unscripted events that arise around the studio or the beauty captured in a formal photo shot.

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Teacher in the Spotlight | Rachel Good

My children have learned to embrace dance and how to put it to use in their everyday life. The studio is their second home. I am happy knowing that is where they want to be in their free time; that is all because of her. She is dramatic—aren’t all dance teachers?—but at the same time she recognizes when a child needs to be given a hug because maybe her day did not go so well. She knows each and every child and all of their quirks.”

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On My Mind

This month we zero in on creativity, which immediately brings to mind the artistic aspects of dance education. But creativity is a state of mind that can flow into all areas of life, including our attitudes toward our businesses. Being creative means being open to possibilities and exploring options. So let’s look at how that mind-set can play out in these imaginary scenarios involving two studio owners.

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2 Tips for Modern Teachers | Strong and Liquid

Challenge the core. To build students’ core strength in each class, have them do the yoga “plank” with weight on the forearms. Tell them to hollow the abdomen (exhaling to bring the navel closer to the spine) and maintain this form for at least 30 seconds. As they become stronger, encourage them to place one hand at a time behind the back and then to lengthen one leg at a time until the foot leaves the floor. Incorporating these into longer movement phrases with music allows students to experience them as dancing rather than exercises.

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Ask Rhee Gold

Dear Rhee,

I teach for an amazing woman who built a big school with the help of her mother, who worked in the office until she died over a year ago, at a young age. It was stunning to all of us involved in the school because she really was the one who prepared and had everything organized for everything that happens outside of the classes. She died in the spring, so all the teachers and friends jumped in to help get through the rest of the year. It worked out fine and everyone bonded, feeling like they were part of the team. It was very rewarding. When the next season started my boss had hired a new studio manager to replace her mother.

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Higher-Ed Voice | “I Can Do That!”

Auditions can be harrowing, whether dancers are trying to get into professional companies, pre-professional training programs, shows, or colleges. But my years of experience teaching in the University at Buffalo Theater and Dance Department—and conducting auditions for prospective students—have shown me that teachers can help prepare students to put their best selves forward when auditioning.

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Recital Rescues

When something goes wrong with your recital venue, it doesn’t just seem like a problem; it seems like a nightmare. In addition to the usual recital stress, you may find yourself with no access to the wings, no lights, or locked dressing rooms. Sometimes, because of scheduling snafus or disasters like floods, fires, or auto accidents, your venue suddenly isn’t available at all. Still, the show must go on.

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Mindful Marketing | Getting Connected With LinkedIn

For many people, the word “marketing” drums up colorful images of advertising: print and television ads, brochures and flyers, websites and blogs. But that’s not all marketing can be. For dance teachers—and studio owners in particular—marketing must go above and beyond common, passive forms of advertising to showcase the value of our skills and services and build and sustain positive relationships.

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EditorSpeak

If you want to be successful, says Chade-Meng Tan, retrain your brain. It’s as simple as this: if we let our emotions rule us, we are, Meng (as he’s called) says, letting the horse drag us instead of being in command. Meng, an engineer and the author of Search Inside Yourself, is now Google’s official “Jolly Good Fellow,” and the book is an evolution of a course he taught there. (Look for him on YouTube, giving talks at Google and TED on this topic.)

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2 Tips for Hip-Hop Teachers | Watch and Learn

Homework! Understand the history and the styles. Studying old films is a great way to pick up moves and understand where they came from. Wild Style, a movie about hip-hop pioneers, is a must. Beat Street motivated me to breakdance and battle. Breakin’ is more of a commercial film but has some great popping—Turbo and Ozone rocked it out! The Freshest Kids, one of my favorites on hip-hop history, is an essential hip-hop tool.

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2 Tips for Modern Teachers | Energy Paths

Yield and Push. By studying developmental movement patterns, which take place in utero and during the early months of life, we have discovered the necessity of yielding to and bonding with gravity and then pushing through every point of contact to the earth. Yielding establishes an active give-and-take relationship with gravity and a readiness to move. Pushing sends energy from the earth along open pathways of flow through the joint centers to the body’s core.

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2 Tips for Tap Teachers | Amping It Up

Tip 1 When dancers reach the advanced level, it is always helpful to introduce a “show and tell” exercise that gets them used to adding 8 counts of their own steps to small pieces of choreography. For example, one student might do flap flap cramproll, shuffle step heel stomp, shuffle step heel stomp; another might add riff back flap heel tap heel stamp, stomp back flap, stomp back flap stomp. Keep this going in a group with four or five kids and they will have made a dance in no time.

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Master Modern Teacher Bill Evans to Share Dance Wisdom at DLTC

Next summer, teachers and studio owners will be able to share master modern teacher and esteemed educator Bill Evans’ wisdom first-hand at the DanceLife Teacher Conference, August 1 to 4, at the Phoenician Resort in Scottsdale, Arizona. Evans, who has earned the Guggenheim Fellowship, numerous fellowships and grants from the National Endowment for the Arts (NEA), the New Mexico Governor’s Award for Excellence and Achievement in the Arts, will be teaching technique classes and leading seminars at DLTC.

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‘Jar of Hearts’ Dancer Peter Chu Joins Faculty of Brand New Dance Convention

Choreographer and dance teacher Peter Chu will participate in the 24 Seven Dance Convention, a tour of two-day workshops for aspiring dancers ages 5 to 19 that will visit 15 cities across the United States in 2012-13, culminating with a national dance competition in Las Vegas from July 14 to 19, 2013.

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Presidio Artists of All Ages Showcase Dance from Around the Globe this June

Presidio Dance Theatre will celebrate the spring season with 2012 Dancing Across Cultures™, featuring a cast of multi-generational international artists and young dancers performing classical and folk dances from all corners of the globe, on June 1 at 7pm at the Palace of Fine Arts Theatre, 3301 Lyon Street, San Francisco, California.

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