A site that for years has housed Oregon Ballet Theatre’s dance studio and school is set to become part of the latest building craze in Portland: apartments.
A California couple’s plans to replace their longtime studio garage space with a larger stand-alone facility cost three years and an unexpected additional $250,000, but on November 1, The Dance Gallery 2 owners will celebrate a grand opening at their new Roseville studio.
Joann Tabeek always encouraged her daughter, Krystal, to follow her dreams, but didn’t live to see Krystal through her 15 years of competitive dance. Working as a vice president and partner at Cantor Fitzgerald on the 103rd floor of the World Trade Center, she was one of the nearly 3,000 people who perished in the terrorist attacks on September 11, 2001.
6ABC.com reports that Bucks County Dance Center in Bensalem, Pennsylvania, was badly damaged in a fire early Monday morning. Investigators say it was arson.
Seventeen teens from Starr’s Studio of Dance in Kent, Connecticut, got a crash course in soccer while in New York City in late September before playing the roles of soccer teammates in an episode of the CBS TV series Madam Secretary. The Litchfield County Times said the dancers met actress . . .
Twyla Tharp’s new position as Joyce Theater Foundation’s 2014–16 artist-in-residence comes with something she’s never had during her esteemed 50-year choreography career: her own school.
People are quitting their jobs at a faster clip and that’s pushing small-business owners to work harder to hold onto top talent, reports the Milwaukee-Wisconsin Journal Sentinel.
Ninety-year-old Pamela Leonard says just because she’s older that isn’t an excuse not to exercise. Dancing—which she still does every day—has become a healthy habit and essential to her optimum health.
As the cover makes obvious, with this issue Dance Studio Life celebrates 10 years of publication. I’ve been on board for seven years as editor in chief, but I had a hand in some of the earlier issues as a freelance editor—which means I’ve seen how much the magazine has grown and changed since its inception. The anniversary is Rhee’s topic this month in “On My Mind,” so I won’t say more than this: the most gratifying part of my job is seeing you, our readers, respond with enthusiasm to the magazine’s evolution. Our goal is to make a difference, helping you develop as business owners and teaching artists, and offering you new paths to creativity. Like you, we take our work seriously, and that’s as it should be.
When David Palmer was a little boy growing up in a remote, TV-free area of Fiji, books like Dr. Seuss’ Green Eggs and Ham engaged his imagination and taught him to love language. So when Palmer, associate artistic director of The Washington Ballet, transformed this beloved classic into a ballet, he didn’t leave language behind.
Ten years. It’s quite a milestone to be celebrating, especially for a supposedly doomed publication.
The article [“Viva Villella!” March/April 2014] was a great tribute to Edward Villella. Yes, viva Villella! I had the pleasure of meeting him at a Dance Masters of America National Convention.
Dance studio owners face the ever-present challenge of managing cash flow and turning a profit—to pay rent, pay teacher and staff salaries, and, hopefully, to pay themselves. Nick Waynelovich and his daughter Kimberly Williams have not only found a way to build a profitable dance and performing-arts organization, they have developed two additional income streams that keep the organization on top of its bills.
Ten-year-old Rhee Gold’s mother, Sherry, looked at him. “Go sit under a tree and write something.” Rhee thought that sounded like the stupidest thing he’d ever heard. But he did it, and he discovered that he liked to write.
A 10th anniversary deserves a nod. We’ve given ourselves one in several ways: by devoting this issue, in part, to marking Dance Studio Life’s launch date with a retrospective by publisher Rhee Gold and by giving the magazine a fresh look with a major redesign. But we’ve done something else that we hope will have even more lasting effect: we’ve established a new annual tradition: the Dance Studio Life “Generous Heart” Awards.
Lou Conte, founder and choreographer of Hubbard Street Dance Studio, will be honored at the city’s first-ever Fifth Star Awards on September 17 at 7pm at the Pritzker Pavilion in Chicago’s Millennium Park.
Dance Complex and Green Street Studios, two renowned Cambridge, Massachusetts, dance centers that have survived myriad challenges over two decades, are joining forces for “Holding Hands While Dancing,” a collaborative benefit performance on November 2 that reflects the vision of new leadership at both organizations.
Pineapple Dance Studios, a dance reality series centered around Pineapple Studios, a dance studio complex and performing arts school in London, England, that serves as a rehearsal space for some of the biggest and best West End shows, pop acts, and dance performances, will have its U.S. television premiere September 28 at 7pm (ET) on Ovation.
Hip-hop performer JuWan Bizzell wanted to create a “different” class for Washington DC’s Momentum Dance & Fitness studio, so he decided to leverage the skills he’d learned while backing up drag queens in nightclub shows.
Dancing Grounds’ first Dance for Social Change Festival seeks to bring artists, activists, and community members together to inspire dialogue and action about key issues confronting New Orleans, according to the Times-Picayune.
Colorado Ballet has completed the move into its new home, a 30,000-square foot building at the north end of Denver’s Art District on Santa Fe Drive, reported Broadway World.
The National Dance Week Foundation is urging dance studios, dance teams, and dance troupe to join its anti-bullying Kick for Kindness Campaign, which will be celebrated this October and November.
Hanging near the front door of Miss Lori’s Dance Express in Temperance, Michigan, is a message in pink crayon, written in a young girl’s cursive handwriting: “When cancer is cured, we will dance for joy. For now, we dance for life.”
Toddlers tend not to be the most dedicated dance students, but Travis Wall, who started taking classes at his mom Denise Wall’s Virginia Beach dance studio as soon as he could walk, was an exception. “I would behave in class. Sometimes you put a 2-year-old in a class, and they’re screaming and kicking. I was so focused and ready to go. I wanted to learn so much,” Wall tells Co.Create.
A dance organization that opened a center in Tribeca, New York City, earlier this year is set to launch even more programs and classes there this fall, after completing two floors of new high-tech arts spaces.
The second annual Detroit Dance City Festival, set for August 22 to 24, brings together local and out-of-state dancers, both professionals and students, in a celebration of all things dance, with more than 20 all-day workshops, classes, and afternoon and evening performances in downtown Detroit.
The Nashville Ballet is embarking on an unprecedented public fundraising campaign to finance an expansion project to grow studio space, renovate its Sylvan Heights headquarters, and dramatically increase the number of students, reported the Tennessean.
A music teacher was caught on surveillance video in June damaging equipment left by a dance studio that had rented the auditorium of Lake Shore High School, according to Evans [NY] police.
Everyone has heard the saying “Happy wife, happy life.” For studio owners, “Happy staff, happy life” is more like it. The question: is how do we keep them happy?
When I opened my dance studio 17 years ago, registration opened shortly before classes started in September and closed in November. Over the years, however, I lengthened the registration cycle, and now enrollment happens nearly year-round.
Words from our readers.
Choreography has become a never-ending task for studio teachers, which means they’re on a relentless quest for quality music and fresh inspiration. They face overwhelming pressure to outdo the previous year’s work and meet the expectations of students and their parents. Choreographers need to acquire a vast amount of music and fill thousands of counts with movement, all while showcasing the specific strengths of their students. Often, these demands lead them to rush the choreographic process.
It was an emergency. My son, then a sophomore in high school, approached me after a dance. “Mom,” he said, “when you dance, do you go back and forth, or side to side?” He demonstrated both, shifting stiffly from side to side, and yes, back and forth. Aghast, I gave him a quick lecture/demo on moving from his center and never bobbing his head.
My competition students are at odds with each other. They are starting to get cliquey, with two different tribe-like groups. One is a group of great kids who are not the best dancers, yet they give it their all and get better all the time, like most students do. The other is a clique of those who think they are the best, and even among them there are some harsh feelings.
After 16 years in business I am purchasing a building to make a new home for my studio. The new space is close to downtown, where there are a couple of schools that are very competitive. I have always done my best to stay on the good side of both owners.
A plan to renovate a public library by adding dance studios has created a rift in the community—with some claiming it’s a sign the neighborhood is turning too “tony.”
A Devon, England–based supplier of dance equipment has boosted its profile in the U.S. after attending a reception held at the British Consulate in New York, according to Insider Media.
Five years ago Lania Berger, owner of the Arthur Murray Dance Studio in Palm Harbor, Florida, heard about the nervousness visually impaired students were experiencing prior to a Valentine’s Day dance and wanted to lend a hand.
Millennium Dance Complex, a high-profile studio in North Hollywood, California, known for its connection to major stars such as Britney Spears and Justin Timberlake, has opened its first franchise on the East Coast.
For 40 years, a sales tax was never collected at Miss Dianna’s School of Dance in Kansas City because it was considered a place of education, said owner Dianna Pfaff. But the Missouri Department of Revenue is stepping up enforcement of sales tax on places of amusement, entertainment, or recreation, and dance practice might now fall under that category, reports FoxKC.com.
Jamie Osteen, co-owner and instructor at Relevé Performing Arts Center of Hendersonville, North Carolina, and her troupe of 75 dancers returned home from Kids Artistic Revue’s national competition in high spirits June 29.
In a small storage room with no air conditioning at the Zimmerman Boys & Girls Club in central Fresno, California, a dozen youngsters in the Just Dance program must keep from banging into hockey equipment, boxes, and each other, but are having a blast learning how to dance.
Rhode Island attorney general Peter Kilmartin has filed a lawsuit against a Warwick dance studio, claiming the studio owner’s fraudulent actions violate the state’s deceptive trade practices act, WPRI reported.
The young women at Linda Dobbins Dance Studio in Mountain Brook, Alabama, are showing their appreciation for the men and women of the U.S. Armed Forces with some sweets, choreographed moves, and well-wishes.
I attended the DanceLife Teacher Conference in Phoenix last summer. I have made the exciting move of opening a studio, and I thank you for giving me knowledge about this process. Now I am creating a philosophy, goals, and a business plan, and I wondered if you could provide me with a few key elements that I should or shouldn’t include. Thank you! —Sophia
Your biggest competition isn’t the studio down the street; it’s the other activities that vie for our students’ attention. With a vast array of afterschool activities available to most kids, it’s more important than ever to create a sense of urgency and excitement about your dance studio’s registration season. Delivering unique messages to different target audiences can move potential clients from inaction to action when it comes to registration and commitment.
You wouldn’t expect to find tap among the offerings at Thomas Armour Youth Ballet, a Miami studio rooted in ballet since 1951. But today this classical ballet school, formerly called The Miami Conservatory, encourages students ages 7 and up to study tap and ballet; for the members of its Tap Team, both forms of dance are required. The result? A win-win scenario.
To keep a studio running, an owner must constantly make decisions based on the perceived value of services. Is that master teacher worth her pricey salary? Will a costly renovation be worth the time and effort? How much of a return will a professional marketing campaign yield? But many owners neglect to consider the value of one critical ingredient of business success—their own time.
A dance studio isn’t like an office. Without a conference room and water cooler, your teaching staff may not even meet one another until recital time. Working alone, they may miss out on the expertise of their peers and feel disconnected from the studio. That’s why it’s important to hold regular staff meetings. Done right, these meetings can be a highlight of working for your studio.
Transitions are often difficult. In the case of schools changing ownership, there are worries, often realistic, about staff turnover, student attrition, and resistance from parents about new policies. But when Kari Fisher, a dance teacher with no experience running a school, suddenly became a studio owner, the results were positive. Rather than losing students, within one year, Fisher says, enrollment at the newly christened Synergy Dance Academy in Madison, Wisconsin, had grown by 60 students; another 35 have enrolled since then. She retained her teaching staff and implemented successful new programs and classes.