Ask Rhee Gold

July 2017 | Ask Rhee Gold | Competition Programs

Advice for dance teachers | Competition Programs Dear Rhee, At what age do you believe a child should begin a competition program? We’ve always started at 10; now parents are asking me if I will accept kids as young as 6. I don’t know if the children and their parents are prepared for the amount…

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July 2017 | Ask Rhee Gold | Special-Needs Students

Advice for dance teachers | Special-Needs Students Dear Rhee, This season I introduced a dance class for children with special needs. I taught the class, but with my limited experience it was a huge growth experience for the kids and me. By the end of the season I was thrilled with what we all accomplished.…

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October 2015 | On My Mind

I’m noticing a lack of creativity in choreography lately—or maybe it’s people’s inability to think for themselves. At a respected ballet company’s performance, on the competition stage, and on TV, choreographers are creating contemporary work that’s strikingly similar. Yes, the level of technical mastery among dancers is diverse, but there’s a disturbing sameness to the mood, expression, and movement—which typically convey ideas about suffering and tragedy. This dark subject matter combined with moody lighting and zero humor add up to a sad observation: today’s dance productions may be depressing audiences instead of entertaining them.

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