Ideas and advice from teachers Many dance teachers enjoy choreographing recital pieces, yet others find it a daunting task. It’s sometimes difficult to know where to begin, or how to get around a creative roadblock. Here are a few simple choreographic ideas that will help you get over those hurdles and create a dance that…Read More
Ideas and advice from teachers There is nothing better than a faculty that works together like a well-oiled machine. Individual teachers can support each other within their own classrooms by creating lesson plans that support and echo each other’s work. Around mid-year, I’ll sometimes invite other classes to visit mine and share their recital or…Read More
Ideas and advice from teachers Freeze out those dreary mid-winter doldrums with a Spirit Week. Creating a week when students can dress up and express themselves is key to cultivating their artistic vision and performance quality. In my ballet classes, I occasionally offer a themed week called “uBu”—a play on “You Do You” or “You…Read More
Ideas and advice from teachers With 10 minutes of class left I noticed five sets of eyes wandering to the window. Time for a fun activity! I searched my childhood memories for a game that would engage these 7- to 10-year-old beginning jazz students, and Mother, May I? sprung to mind. I changed “Mother” to…Read More
Ideas and advice from teachers When several of my 8- to 11-year-old jazz dancers complained that their ankles often rolled over during class, I consulted a local physical therapist, Joshua Kernen, DPT, CSCS. Kernen explained that weak ankles are common in kids in this age range who are growing quickly. He suggested three exercises…Read More
Ideas and advice from teachers As dance teachers, we can elevate our students’ performance quality by developing their musicality. Incorporating a few simple exercises into class can help your intermediate/advanced dancers become more aware of the relationship between their movements and the music. Start with a definition. Mine is: “Musicality is a dancer’s ability to…Read More
Ideas and advice from our readers Our youngest students often have many stories they are aching to share. Losing a tooth, eating pancakes for breakfast, falling off a scooter, or going up a shoe size—these stories represent the big adventures in their lives. Of course, most of these stories do not relate to dance. Their…Read More
Ideas and advice from our readers Q: Does anyone have a solution to keep the wall area under the barre clean of scuff marks left behind by tap shoes? We are painting our studio, and I would rather not continually repaint that area. —Nancy K. Dennis A: Black paint. —Amy Hlavaty Belcher A: I’m also…Read More
Ideas and advice from our readers Are your ballet babes bored with barre? One typical Friday afternoon I watched as the 6-, 7-, and 8-year-old petit rats in my Ballet 1 class spent their precious barre time focusing on all the fundamentals that will serve their future dance goals—fidgeting, lip-synching the latest pop tune, and…Read More
Ideas and advice from our readers Q: Asking studio owners about recital program ads: do you design them yourself? What program do you use? —Erika Hogan A: I do it myself using Microsoft Publisher. A few parents have been able to design their own ads, but most people purchasing ads don’t know how. It takes…Read More
Ideas and advice from teachers Classroom Connection: Four-Step Formula How do we effectively address technique challenges while keeping students engaged, interested, and enthusiastic? During one class, as my teen jazz students struggled with piqué turns, I devised a four-step solution that works in all my classes. Step 1. Create a basic exercise to fix…Read More
Using the final minutes before your preschool, kinder, or creative movement class thoughtfully will give you a huge advantage during the class to come. Waste those precious minutes and you might be setting yourself up for a frustrating experience. Here are five things I do before every class: Arrive early. Arrive at least 15 minutes…Read More
To keep your students engaged in ballet class, try varying how you present the material. I use theme months and theme days with my intermediate and advanced levels to focus and add fun to class lessons. Theme months No-Barre November: Have students do their regular ballet barre in center. Ask them to notice how…Read More
Reality Check: Parent-Teacher Conferences Q: I’ve always been very open and available to discuss a student’s progress when parents have concerns, and during optional end-of-year conversations. But I have some mothers who request parent conferences every couple of months. I have to spend time not only holding these conferences, but collecting pertinent info from multiple…Read More
Ideas and advice from our readers Classroom Connection: Sound Effects A few years back I had a student with beautifully clear technique, particularly in petit allegro. Yet beyond technique, her dancing lacked artistic touches, such as expression, dynamics, and color. After toying with some tactics to help her add nuance to her dancing, I landed…Read More
Ideas & advice from our readers Reality Check: Studio Owner Vacation Q. Looking for tricks of the trade for when studio owners take a vacation. What do you do to make sure everything operates smoothly while you’re away? —Samantha Bower A. I let my families know I will not be in the studio—no need to…Read More
Classroom Connection: The Power of Questions
by Holly Derville-Teer
By questioning rather than chastising, Edwards maintained control of the classroom. I was impressed by how the dancers listened. Answering questions also increased their level of engagement.
Reality Check: Sensitivity and Caring
Q. I have a talented dancer who lost an arm in an accident. She came back to ballet class and is doing amazingly well, but I don’t want to pretend that this is not going to affect her balance or her dancing. How do I navigate this situation with sensitivity and caring? Read More
Classroom Connection: Resistance Band Exercises
Consider integrating stretch/resistance band exercises into pointe and pre-pointe classes to strengthen dancers’ feet and ankles.
Reality Check: Communication Challenge
Q. I’m looking for ideas that will help multiple front desk staffers handle office communication more effectively. Example: Suzy’s mom calls about registration. One staffer calls back and leaves a message—which is noted in the message book—but no one follows up or calls the mom again. Does anyone have a solution? —Neala Dunn
Classroom Connection: Picturing Dance
Dance photos can support your curriculum and offer playful springboards for activities with students—from preschoolers to high schoolers.
Reality Check: Tough Moments
Q. I just lost my first student to another studio. I understand we all offer different things and people will choose what matches their needs best. But it still hurts and makes me wonder if I am doing enough. How do you handle these moments?
Classroom Connection: Cleaning Machine
Heading into competition season, I realized I wouldn’t have enough time to fix all the mismatched heads, crooked lines, and sickled feet in my teen jazz routine. What I needed was a way to fast-track the process and rescue my dance. I decided to turn my dancers into a “cleaning machine.”
Reality Check: Competition Survival Kits
Q.Every year I make a competition survival kit of items my dancers might forget, such as hair bands, hair spray, and hand sanitizer. I want to expand it to include stuff for myself and my instructors. What do you put in yours? —Ashlee Morgan Russ
Classroom Connection: Fun and Games: Games are often incorporated into classes for young dancers, yet just as often are eliminated as students mature in age and dance ability. However, games are a great way to refocus and reenergize even preteen and teenage students. Here are some I enjoy.
Reality Check: Progress Reports: Q. Do you do end-of-year progress reports for company members and/or recreational students? Do you keep copies or have the students return the originals to you?
Reality Check: Doing Away With Dress Rehearsal: Q: Do you have a dress rehearsal at the same theater where you have your recital? For the last four years I have, but this year I am wondering if we can pull off our recital without a dress rehearsal at the venue.
“Classroom Connection: Elevating Jumps”: How do we challenge our advanced dancers to improve their jumps? To work on strength and height, I drill my dancers in a progression of simple sautés, changements, and échappés without music. The silence allows students to be conscious of how they manage their weight and use their feet (toe, ball, heel) on the takeoff and landing. Without the constraint of a particular tempo, dancers can also investigate how high they can actually jump.Read More
“Reality Check: Must. Do. Ballet”: Q: Who makes ballet mandatory in order to take jazz? I am trying to implement this in my program this year and I have an older student who hasn’t had ballet in a few years and does not want to take it. Do I grandfather her in and let her just take jazz? Or make it mandatory for everyone?
“Classroom Connection: Stories That Move”: Whether you teach a parent/child class, creative movement for preschoolers, or pre-ballet for kindergarteners, starting your youngest kids’ classes with a book can be calming and inspiring at the same time.Read More
“Reality Check: Absence Mindedness”: I am hiring a new teacher; we are days away from making it final. She just told me that she will be away the first week of classes on a trip she’s had planned for a while, so she will not be able to teach her first night. She’s excited about teaching in a studio again with young kids and I am excited because it’s difficult to find a good hip-hop teacher in my area. How would all of you handle a prospective teacher missing the first night of classes? Do you think I should look for another teacher? —Chrystie Kenny Greco
“Classroom Connection: Reminders”: By the time advanced students walk into my classes they know all the steps in the traditional ballet vocabulary. This is not to say they aren’t still learning. And I’ve found that one way to make sure they do so, consistently and continuously, is to use “reminding” tools: verbal cueing, asking, sharing, and touching.Read More
“Reality Check: Teacher Transitions”: Q: I’m three years in, and it’s happening: I just put out our schedule for next year, and some of the young students I’ve taught will have different teachers. Enrollment has gone from 25 to 150 in three years, so naturally I can’t teach them all anymore. I’m starting to hear parents say, “We come here for her.” Most of these parents don’t know the other teachers, so I will be introducing them, making bios available, and holding meet-and-greets. What more can I do to convince them to trust my judgment in selecting a faculty? They will have me as a teacher again in a year or two. (I teach all levels, but there are multiple classes in each level.) I would appreciate advice on how to navigate the next month during early enrollment. I cannot continue spreading myself too thin. —Chrystie Kenny Greco
“Classroom Connection: Ballet Obstacle Course”: I came up with this activity because our focus of the month was “pathways.” I thought this was an opportunity to hone my ballet students’ focus and to offer a fun alternative to the usual ways in which they travel across the floor. It works best with dancers ages 6 years and older. Younger students may have a difficult time understanding and doing the activity unless you choose easier steps and paths.Read More